somethingpamper me to hell and backseems me

Can't find what you're looking for? Part of that infectiousness comes from their strikingly idiomatic style, characterised by several traits: an informality informal to the point of ritual; short to mid-length declarative sentences, stripped of any formal expression of the strong feelings they describe; a conspicuous lack of lyricism; the deadpanning of great misery and joy. This sets the scene for a collection which is both humorous and disconcerting, light-hearted and satirical. Lots of contemporary lit plays with the relationship between the earnest and satirical but I've never experienced such intense confusion about whether I am on the verge of laughter or tears as I do when I read HLB. Or the other way round. Luísa tolkientoyou. I am always making speeches, but speeches are a waste of time The only useful speech is one where you enumerate someone's many failures until they burst into tears But if anyone is bursting into tears today it will be me I just want to lie naked on a deckchair, fanning myself with divorce papers from "Speech time". Do read. Ioana Iorgu. Bird has this wonderful way of being absolutely hilarious then punching you in the gut with emotion and melancholy. Your email address will not be published.

I like this picture because it reminds me of loneliness And the great, unspecific boredom of life. It just so happens that the tools she has at her disposal are those of easy narrative, pretence and the grand pronouncements of the individual. Highly recommended. The other striking formal features are the barrage of similes and the frequent ellipses — both taken straight out of the poems of Chelsey Minnis. Author 7 books followers. Perhaps it is the interminable onslaught of surprising almost ridiculous imagery, or the self-deprecating humour that runs throughout. P amper Me to Hell and Back is full of confessional, provocative and occasionally explicit poems, written in a conversational style with a bleak outlook on life.

Subscribe to Blog via Email

It's so hard to do love poetry well, but HLB's love poetry is my favorite kind. Reviews are an initiative from the Poetry School. But at the same time, the poems suggest, if romantic cliché what you have to build with — then build with romantic cliché. My two favorites in this little book were Jealousy and Pyramid Scheme, which was how I first learned of her, when she read for Poetry Magazine podcast. This pamphlet of poetry by Hera Lindsay Bird is a startling departure from her bestselling debut Hera Lindsay Bird by defying convention and remaining exactly the same, only worse. The sheer reach and imaginative variety is striking, but… is that variety part of any form? It also reveals the underlying themes of mortality, love and the relentless monotony of life. Often in these poems humour acts as a cover for heartbreak; silliness becomes moving. Cally Mac. The impression is that Bird is pushing further along her challenge to the rules and regulations of lyric poetry, preferring the prose convention of lineation rather than the poetic standard Emily Berry uses the same trick in her recent Stranger, Baby , just as her rhythms are those of Whatsapp rather than the lyric cadance we associate with canonical poetry. Jump to ratings and reviews.

Pamper Me to Hell & Back by Hera Lindsay Bird - The Poetry Book Society

• This sets the scene for a collection which is both humorous and disconcerting, light-hearted and satirical.
• A wonderful, albeit short, collection.
• Can't find what you're looking for?
• Like sugar around the pill.

Part of that infectiousness comes from their strikingly idiomatic style, characterised by several traits: an informality informal to the point of ritual; short to mid-length declarative sentences, stripped of any formal expression of the strong feelings they describe; a conspicuous lack of lyricism; the deadpanning of great misery and joy. Fame, the moon, meaninglessness. Well, where historically poets have refined their language towards poetic diction and metre — and risked being programmatic and melodically repetitive as a result — Bird refines her language towards an imitation of vernacular usage. But Bird is never those things, in the same way Tennyson is never drily metrical. The other striking formal features are the barrage of similes and the frequent ellipses — both taken straight out of the poems of Chelsey Minnis. The sheer reach and imaginative variety is striking, but… is that variety part of any form? Or the other way round. Probably the other way round. The very light which makes the blossom visible also renders it sarcastic, bitter and mean. This poetry neither needs nor wants to venerate the manufacture of apt metaphysical equivalences. Rather, it wants to make a kind of metaphorical soup — with a bunch of tenors and a bunch of vehicles swilling around, bumping into each other with little clangs of humour or insight — by force of density more than precision. The grand austere aha! We see the same mockery regarding the abandon of being in love when Bird writes. Look at how ludicrous it is to be serious about any of this , the poem thinks. That is, the ability to make a statement and to both mean it very deeply while simultaneously holding it up as an object of mockery. Often in these poems humour acts as a cover for heartbreak; silliness becomes moving. These poems, like most good poems, point via negativa to the things which cannot be said. But at the same time, the poems suggest, if romantic cliché what you have to build with — then build with romantic cliché.

Jump to ratings and reviews. Want to read. Buy on Amazon. Rate this book. Hera Lindsay Bird. Love, death, Bruce Willis, public urination, being a woman, love, The Nanny, love. This pamphlet of poetry by Hera Lindsay Bird is a startling departure from her bestselling debut Hera Lindsay Bird by defying convention and remaining exactly the same, only worse. Loading interface

Pamper me to hell and back. Pamper Me to Hell & Back by Hera Lindsay Bird

P amper Me to Hell and Back is full of confessional, provocative and occasionally explicit poems, written in a conversational style with a bleak outlook on life. Many of the poems are surreal, whilst some feel more like Facebook posts, and others seem designed to be performed sainsburys.co.uk pampers spoken word. This sets the scene for a collection which is both humorous and disconcerting, light-hearted and satirical. It also reveals the underlying themes of mortality, love and the relentless monotony of life. This is not the kind of poetry that I normally read, and I must admit to being put-off initially by the more explicit and provocative lines. Perhaps it is the interminable onslaught of surprising almost ridiculous imagery, or the self-deprecating humour that runs throughout, pamper me to hell and back. Whatever it is, there is something unique and a little bit addictive in these poems. Other poems seem to be anti-love poems. There are some more straightforward love poems too. I want to get really good at woodwork and go into the forest pamper me to hell and back cut up some logs and make you a beautiful house to live in. I enjoyed reading the last three poems, which have a more serious undertone, whilst still being light-hearted and full of pieluszki huggies 1.

Previous and Next Entry

.

I loved this more than Hera's original book I think.